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Use or ornament? The social impact of participation in the arts

“Where there is selection there is art.” —BH Liddell Hart.

Craft is the new "growth hack". Investing in craft, means you invest in quality of the experience, and that benefits in all of areas of the business

Create ownership in everything. Revenue shares in projects. Equity in micro-companies. Stakes in outcomes. The Old Game keeps you permanently renting

When individual entry is impossible, collective entry becomes optimal. When traditional financing fails, alternative structures win. The groups doing

The club model teaches us something: organizations that endure don’t try to include everyone. They’re clear about their identity, even as that identit

We believe that a healthy ecosystem competes on innovative features, not critical mass. The social web should be centered around people, not platforms

It was only because I showed up and I paid attention," he said. "I looked for places to go. I looked for communities to join. I looked for ways to bec

We live in a world where movies aren’t considered art, but intellectual property. They’re “content,” little chunks of stuff that can be licensed, exte

Eleven propositions to the question: What is contemporary about craft?

The job for any studio is to create a great story and exploit it across as many channels as possible—theme parks, merchandise, games, movies, TV, TikT

If there's any kind of lesson in all this, it's mostly some advice I want to give myself. The lesson is simply: speak up. It's OK to slip into advocac

look at how the word “community” itself has been warped in recent years into a cynical marketing cliché to rival “storyteller” — annexed as the torche

to be truly radical is to make hope possible rather than despair convincing.

Institutionalized Organizations: Formal Structure as Myth and Ceremony on JSTOR

Just a moment...

The Pall Of Our Unrest

The Great Creator Arbitrage Opportunity | #200 🥳

The future of community: a future for communities | thesephist.com