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Will Tavlin in N+1 on how Netflix has moved towards forgettable, low-end-of-middlebrow content. This is a function of the invisible base rates problem: when Netflix launched its streaming service, it was great for people who loved movies; these people raved to their friends who merely liked movies, and there are simply more people with taste close... See more

Damir Karakaš’s Celebration , translated by Ellen Elias-Bursać, begins at the end of World War II. Its four sections—“House,” “Dogs,” “Celebration,” and “Father”—move from 1945 to 1935, then 1941 to 1928, and follow Mijo, a man whose yellow-brown uniform marks him as a member of the recently fallen Croatian fascist organization of the Ustaše.... See more

Rio Shimamoto’s First Love , an overdue English-language debut by an important Japanese author translated by Louise Heal Kawai, is a portrait of patriarchy as a series of glassy, threatening surfaces. It turns a procedural setup—Yuki, a psychologist, investigates the case of a woman who stabbed her father to death, seemingly without motive—into a... See more

Hunter-gatherers rarely feel like they are working. Everything is meningful and everything is challenging. Is hunting work? Is fishing work? People sell real estate so they can hunt and fish. Who would hunt and fish so they could sell real estate?