Zara Koroma

For a brief moment, the boundaries of the earth ended at the furthest reach of my vision

when decolonial scholars inaugurate comradely critiques of Wittig’s work regarding her inattention to questions of coloniality and racialization. On this front we have lately seen critical, creative efforts to combine her abolitionist heuristics with other, race-critical feminist materialisms that are attentive to processes of “ungendering” and... See more

lesbianism is a war, but in the latter texts, it can sometimes also be a gathering, a near-utopian togetherness—a picnic.

The rubric “lesbian,” too, conjures something quite other than intrafemale eroticism: not a form of desire but a strategy toward an abolitionist end

“Ownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them,”

“I always thought that ‘the voice’ was meant to indicate a kind of genuine, authentic, absolute individuation, which struck me as (a) undesirable and (b) impossible,” he said. “Whereas a ‘sound’ was really within the midst of this intense engagement with everything: with all the noise that you’ve ever heard, you struggle somehow to make a... See more

We are committed to the idea that study is what you do with other people. It’s talking and walking around with other people, working, dancing, suffering, some irreducible convergence of all three, held under the name of speculative practice. The notion of a rehearsal—being in a kind of workshop, playing in a band, in a jam session, or old men... See more