wtf is culture?
I began to think that the role of a critic is also a relational one: If someone has spent years of their life on a work, they deserve a serious, sustained response. Critics who write such reviews aren’t just offering something to the maker of a work but to the world. Look here , a critic says. Imagine what culture could be like — if there was more... See more
Celine Nguyen • Is the Internet Making Culture Worse?
All criticism, by the way, is reverential; not with regard to specific books, necessarily, but reverential to each book’s potential aspiration toward literature
Patrick Nathan • The Future of Criticism
But a critic, Nguyen implies, is not the man in the Ivory Tower damning or sanctifying specific works of literature based on his own taste: instead, criticism “comes from a deep fascination with the medium (literature, art, fashion, design, architecture, &c) and an overwhelming urge to discuss it, as deeply and as rigorously as possible, in... See more
The Future of Criticism
Art is confrontation. It widens the audience’s reality, allowing them to glimpse life through a different window. One with a glorious new view. Rick Rubin
In place of the human gatekeepers and curators of culture, the editors and DJs, we now have a set of algorithmic gatekeepers. While this shift has lowered many cultural barriers to entry, since anyone can make their work public online, it has also resulted in a kind of tyranny of real-time data. Attention becomes the only metric by which culture is
... See moreKyle Chayka • Filterworld
Art has both freshness and innate ambiguity; it avoids contributing to overfitting via stereotype. A nudge in one direction and it can veer to kitsch, a nudge in another and it can become too experimental and unduly alienating. Art exists in an uncanny valley of familiarity—art is like a dream that some higher being, more aesthetically sensitive,... See more
Unknown • Exit the supersensorium
A belief in an aesthetic spectrum may be all that keeps a civilization from disappearing up its own brainstem.
In a world of infinite experience, it is the aesthete who is safest, not the ascetic. Abstinence will not work. The only cure for too much fiction is good fiction.
In a world of infinite experience, it is the aesthete who is safest, not the ascetic. Abstinence will not work. The only cure for too much fiction is good fiction.