Worldbuilding

thoughts on the creative tensions of Disneyland: between art and commerce, the child vs. the adult, what you can see vs. what’s hidden, and surrendering vs. control.

We take the profound power of conjuring new expressions, interpretations, and constructed worlds for granted.

I have found that creating fictional worlds is a way of using your imagination for hope of what could be, even in the real-world.

science-fiction prototypes are imagined laboratories based on (scientific) fact, that challenge creators ánd readers to critically reflect on the impact of science and emerging technologies and on the social and emotional responses of the world - including themselves. It offers a great tool to envision possible and hopeful futures, and could be an