Worldbuilding
Sarah Drinkwater and
Worldbuilding
projects like Invisible Seattle and Loot prove that inventive and imaginative results can emerge from collaboration, producing works that defy easy categorization and commercialization.
Dirt • Dirt: Worldbuilding, Pt. 2
The ultimate, hidden truth of the world is that it is something that we make, and could just as easily make differently.
-David Graeber
University of Auntimoany Ethnographical Questionnaire
bethisad.com
The difference between a story and a scenario is the narrative arc. Stories are built around a main character the reader will sympathise with. Fictional stories have a kind of creative freedom that scenario’s do not have. This freedom allows creators ánd readers to explore the impact of technologies and developments on the daily lives of people
... See moreMarjolein Pijnappels • Designing the Future Using Science Fiction
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
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