Worldbuilding
Sarah Drinkwater and
Worldbuilding
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comProduct Zeitgeist Fit: A Cheat Code for Spotting and Building the Next Big Thing | Andreessen Horowitz
D'arcy Coolicana16z.com
The difference between a story and a scenario is the narrative arc. Stories are built around a main character the reader will sympathise with. Fictional stories have a kind of creative freedom that scenario’s do not have. This freedom allows creators ánd readers to explore the impact of technologies and developments on the daily lives of people
... See moreMarjolein Pijnappels • Designing the Future Using Science Fiction
The End of a World and its Pedagogies | By: Patricia Reed | Making & Breaking
Patricia Reedmakingandbreaking.org
I have found that creating fictional worlds is a way of using your imagination for hope of what could be, even in the real-world.
Morgan Harper Nichols • A Necessary Imagination
The scariest thing about technology? The humans making it. Technology isn’t inherently bad, but it’s too often in the wrong hands. If it truly speaks to and supports your audience, then don’t feel shy to utilise technologies to build your brand world and connect with your audience in more mutual ways. This is about world (not just bot) building.