Worldbuilding
Sarah Drinkwater and
Worldbuilding
thoughts on the creative tensions of Disneyland: between art and commerce, the child vs. the adult, what you can see vs. what’s hidden, and surrendering vs. control.
Austin Kleon • Imagineering
instead of “building an audience,” build a world. build a digital garden-ecosystem, that exists — first and primarily — for itself. a world that doesn’t need likes, traffic, subscribers, or clicks — in order to validate its existence.
build a world that the RIGHT people — your kindred people — will discover, will gravitate towards, and fall in love... See more
build a world that the RIGHT people — your kindred people — will discover, will gravitate towards, and fall in love... See more
*What's behind Metalabel?*
Metalabel was inspired by specific theories about what the future-now holds: from post-individualism to world-building as self-care to the decline of the creator economy as we know it
Here are six core beliefs behind @metalabel_xyz 🧵
nametwitter.comHow to Fall in Love With a System: Coziness as a Catalyst for Participatory Agency
aw.network
The difference between a story and a scenario is the narrative arc. Stories are built around a main character the reader will sympathise with. Fictional stories have a kind of creative freedom that scenario’s do not have. This freedom allows creators ánd readers to explore the impact of technologies and developments on the daily lives of people
... See moreMarjolein Pijnappels • Designing the Future Using Science Fiction
Metalabel is a good example of a company building a “world”