How to Be
You should write because when you know that you’re going to write, it changes the way you live. I’m thinking about a book I read called Field Notes on Science & Nature , a collection of essays by scientists about their notes. It’s hard to imagine a more tedious concept — a book of essays about notes ? — but in execution it was wonderful. What it... See more
James Somers • More People Should Write
“Well, I’m gonna get a lot of hell for saying this. I just want to put it out there. I know, I am. This is going to be a something that I might regret saying, but...I think one of the best things to cure self-doubt is just to go to really bad stuff. I’m talking about plays you hear about that are terrible–go to them. There’s shows on television... See more
Eric Rothman - Eric Rothman
One belief I have is that if you wish to be virtuous you will learn to eat cereal virtuously.
The novice of virtue is tempted by dreams of heroic acts, just as the novice sculptor daydreams of palatial monuments, or other grand work. But the master sculptor is extraordinary not because he has been commissioned for monumental bronzes (which may never... See more
The novice of virtue is tempted by dreams of heroic acts, just as the novice sculptor daydreams of palatial monuments, or other grand work. But the master sculptor is extraordinary not because he has been commissioned for monumental bronzes (which may never... See more
Simon Sarris • Breadcrumbs - by Simon Sarris - The Map is Mostly Water
When I give of myself, when I genuinely care about others, I generate a feeling of connection, a feeling that is closely related to love. This is a feeling we long for. And it is common to think of it as something we must receive —that to feel a connection, we must find someone who sees us and who cares about our authentic self. But what people who... See more
Henrik Karlsson • On Feeling Connected
Yeah, we don’t believe in a 30-person crew. We don’t believe you should emulate the look of a major Hollywood film. I like the indie game philosophy, where two guys make a whole game with pixel art and pick an aesthetic and a style that matches the scope of their budget and team. We believe in small and slow. Four people over 12 weeks can make a... See more
Doug Dillaman • Of Mascots and Men: Mike Cheslik and Ryland Brickston Cole Tews on Hundreds of Beavers | Filmmaker Magazine
Don’t be lame, don’t be corny. The craft has to be there. I feel like I’m just such a craft snob. I just don’t respect people that don’t... I mean, whatever, it’s your thing if you don’t care about it, but it’s like, if you know about it, you know it when you see it. Also, every masterpiece has incorporated so much craft into it, and there’s no way... See more
Cristine Brache • On holding yourself to a higher standard
“It costs every designer money to make things beautiful.”
There’s this whole thing about street photography where, if you want “authenticity” you’re supposed to steal shots, and just assault people with your camera. That always felt wrong and strange and uncomfortable to me, and this is just another reminder (a necessary reminder) that you can do things however you want. Do things the way you want to do them and the way that feels right to you. Don’t let some imaginary ruleset control you.
Also, the way Sara talks about hanging out with her friends—instead of going out to bars or partying or whatever people do on the weekends—just walking around with cameras to see what’s going on in the world. That sounds so fun to me. Why am I not doing that?