Thought provoking

This got me thinking that, ultimately, it's the totality of those “nodal points” that indicate one's own unique perspective. It doesn't matter if you specifically sought out the nodal point or not, it’s the recognition that counts. When you encounter a piece of life-changing information (no matter how large the change part is), you are simultaneous... See more

In the 1990s or 2000s someone created a social network designed to make it possible to tell that you were about to take a flight with someone with whom you have something in common. The idea was you could reach out to them and spend flight time in conversation with someone who might become a friend or at least a useful contact.

Brooklyn-based art collective MSCHF describes this phenomenon:

"No one talks about the future anymore. Instead, everything accelerates the present to a fever pitch, intensifying and weirding the dysfunctions of the current moment. There’s a hole where the future used to be, and all that remains is the increasingly spicy present."

“But museums also choose what to display, what to let rest in the dark, and what to reveal again under new light.

They’re not mausoleums — they are spaces of loss and rebirth. Alive, even in silence.

We are like that too.

Full of rooms. Piled-up memories. Crookedly hung frames.

Ideas that need to come out of storage.”

simulated companionship

Think of it this way. We all agree that a cool person with panache can wear a garment we’d previously dismissed and show it to us in a new, positive light — freaking & redeeming a previously benighted garment. Ipso facto we must also concede that a person whose style, energy and gestalt we find repellent can wear a garment we’d previously appre... See more

When systems that were designed for resilience are optimized instead for efficiency, they break.

“to hone sensory receptivity to the marvelous specificity of things.” I would argue that this is another way of talking about learning to pay a certain kind of attention to the world. In so doing we may find, as Andrew Wyeth once commented about a work of Albrecht Dürer’s, that “the mundane, observed, became the romantic”— or, the enchanted.

But even in this era, patronage was conditional. Artists served the ideological aims of those who paid. The church demanded piety. The state demanded civic glory. The Medici demanded immortality. As a model, patronship has always involved a tension between creative expression and institutional ambition. The artist received funding but also instruct... See more