The New Romantics

The only antidote I've found to the madness of my own brain is to talk to other people and be around other people. Somehow, through conversation and through seeing and being seen, I feel less terrible. I wouldn't say I feel great neccessarily, I just feel less bad.

"The Chinese say you need three things for paintings: the hand, the eye and the heart,” says the painter David Hockney. “I think that remark is very, very good. Two won’t do. A good eye and heart is not enough, neither is a good hand and eye.”

We are never as good as we should be; and neither, it seems, are other people. A life without a so-called critical faculty would seem an idiocy: what are we, after all, but our powers of discrimination, our taste, the violence of our preferences? Self-criticism, and the self as critical, are essential to our sense, our picture, of our so-called... See more

“Right now, we need writers who know the difference between the production of a market commodity and the practice of an art.”

Roland Allen’s The Notebook: A History of Thinking on Paper . Allen points out that “people often start diaries in times of upheaval,”

But E.B. White, one of our last great idealists, was eternally right when he asserted half a century ago that the role of the writer is “to lift people up, not lower them down” — a role each of us is called to with increasing urgency, whatever cog we may be in the machinery of society.

She thought about that for a moment. “But it’s so boring,” she said. “Yes, that’s true,” I said. “Boredom is not just boring. It can also be terrifying. It forces us to come face-to-face with bigger questions of meaning and purpose. But boredom is also an opportunity for discovery and invention. It creates the space necessary for a new thought to

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how can my creative superpowers as an artist be channeled into giving extraordinary value and service to others, while sharing my ethos & philosophy along the way?