The New Romantics

Mastery is fine, but you must retain the ability to think like a beginner.

"The Chinese say you need three things for paintings: the hand, the eye and the heart,” says the painter David Hockney. “I think that remark is very, very good. Two won’t do. A good eye and heart is not enough, neither is a good hand and eye.”

In a culture obsessed with speed, certainty, and specialization, Leonardo’s secret feels almost rebellious: take your time, learn widely, think deeply.

Basic dynamic in life: there is nothing meaningful enough to make you happy that could not make you sad if you lost it. This is the paradox of feeling, and it’s inherent and existential. If things inspire real positive emotion in you then they are necessarily things in which you are sufficiently invested that you would feel negative emotions when... See more

But E.B. White, one of our last great idealists, was eternally right when he asserted half a century ago that the role of the writer is “to lift people up, not lower them down” — a role each of us is called to with increasing urgency, whatever cog we may be in the machinery of society.

The people we traditionally consider to be smartest are those best at some sort of a general math / reasoning ability.

This is not what genius is.

Which brings us back to the question of traditionalism and dynamism, and their potential interaction: if you have had a cultural revolution that cleared too much ground, razed too many bastions and led to a kind of cultural debasement and forgetting, you probably need to go backward, or least turn that way for recollection, before you can hope to... See more

When I had the flip phone, I had to put in effort to get to places, to talk to people. Everything was a task. Now it’s easy to do things. I guess I still don’t like needing the crutch of a smartphone, though I couldn’t figure out how to go on without one.”