The New Romantics
Which brings us back to the question of traditionalism and dynamism, and their potential interaction: if you have had a cultural revolution that cleared too much ground, razed too many bastions and led to a kind of cultural debasement and forgetting, you probably need to go backward, or least turn that way for recollection, before you can hope to... See more
Ross Douthat • The fall of the intellectual
Alas, we’re too dumb for the big ideas. Pop psychology, it is! Pass me my copy of Atomic Habits.
But boredom is when life happens.
Nick Catucci • You might just have to be bored
She wrote on Hollywood and Washington, New York and Sacramento, Terri Schiavo and Martha Stewart, grief and hypocrisy and Latin American politics, and somehow it all drove toward the same point: Narratives are coping mechanisms. If we want to truly understand ourselves, we have to understand not just the stories we make up together, but the tales... See more
Alissa Wilkinson • The Essential Joan Didion
"The Chinese say you need three things for paintings: the hand, the eye and the heart,” says the painter David Hockney. “I think that remark is very, very good. Two won’t do. A good eye and heart is not enough, neither is a good hand and eye.”
Head, heart, hands
This is the quiet art of living well. It does not demand that we abandon the world, but that we engage with it more mindfully. It asks that we slow down, that we look more closely, that we listen more carefully. For in doing so, we discover that much of what we seek—clarity, peace, even strength—was always within reach. It was simply waiting for us
... See moreBill Wear • The Quiet Art of Attention
The role of the artist is to make the revolution irresistible.
The role of the artist
“Once you learn how to learn, you have only to discover what is worth learning.”