The book 1.0

That for me is the poetics of encryption. Artists are already using generative AI as a tool to reimagine our relation to the perennial big ideas. Like: What is identity? What is spirituality? What is cultural heritage? How can the human resist the fast-moving disruption to our lives and to our long-standing imaginaries? These are the questions that... See more

Flatness, like scalability, is efficient. The same culture flows through the same pipes to the same net-average consumer. But since when did efficiency become the sole metric by which we judge art? Filterworld represents the idea that the messiness of culture can be optimized and that only what is optimized for shareability is worthwhile. I... See more

chasing the feeling of acceptance, telos and community without that feeling corresponding to any materially beneficial group telos. The phenomenology of social reward and the material benefits of social cohesion are becoming increasingly decoupled.

People pay to see others believe in themselves.

I’d describe my time from 2015-2020 (when the book will be published) in three distinct phases:

• Phase I: 2015-2016: Discovery, exploration, initial research, hypothesis generation (funded by the Ford Foundation)


• Phase II: 2016-2018: Experience, experimenting, hypothesis testing (working at GitHub)


• Phase III: 2018-2020: Refining, summarizing,

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The internet drastically increases the ease of finding and fulfilling one’s preferred phenomenological feedback loop, whether that be righteous anger, a sense of shared victimhood, or any other appealing gradient.

We are not undergoing a crisis of culture but rather a crisis of epistemology.