The book 1.0

A few years ago, a user by the name of IlluminatiPirate published Dead Internet Theory: Most of the Internet is Fake on the online forum Agora Road’s Macintosh Cafe.1 The theory proposes that the majority of the content with which we engage online is algorithmically generated by bots, all in an effort to control what we believe. I feel obligated to... See more

technology and globalization have changed our information streams and our patterns of life drastically enough that the ways we calibrate around incoming information are becoming increasingly dangerous for us,

“When I think about the internet (which is impossible),” Natasha Stagg writes, “I feel similar to when I have a crush. I feel crushed.”

I can’t overemphasize the value of getting hands-on experience, combined with the time I’d previously spent on research. I think it’s unlikely I could’ve gotten to my current point of view just by reading and talking to developers. Through my initial work, I’d become very familiar with what developers think about open source. But in trying to turn... See more

For one thing, the internet has taken the reward circuitry meant for social conditioning and has begun to replace it with parasocial conditioning; our reward feedback loops increasingly run through interactions with people we don’t know and may never meet, who have very little information about us or investment in our lives and wellbeing.... See more

Susan Leigh Star, a sociologist and theorist of infrastructure and networks, wrote in her 1999 influential paper, “The Ethnography of Infrastructure”:

“Study a city and neglect its sewers and power supplies (as many have), and you miss essential aspects of distributional justice and planning power. Study an information system and neglect its... See more

The canonical example of the 2010s was probably the trend-forecasting agency K-HOLE, which was formed by four art-school friends who, while grifting fashion-industry jobs in New York, became ‘interested in the total collapse that comes with being the thing itself’. As it turned out, they were exceptionally good at ‘the thing itself’ – publishing... See more

Creator platforms algorithmically incentivize us to create at the pace Wall Street and the market demand. This is why we’re pushed to create more and more. Not because our audiences are asking for it. Not because the world needs more of what we have to say. Because we as artists, the platforms, and their investors desire, to varying degrees,... See more