The book 1.0

At each point between phases, I didn’t know where my next source of funding was going to come from. What I can say is that if you’re writing thoughtfully, in public, about a topic of niche interest to a certain set of people, and getting those people to engage with your work, it’s very likely that someone will come along and offer to pay you to... See more

In Lanier’s telling, this digital landscape shifted once the success of Google’s ad program revealed that you could make a lot of money on user-generated creative output, which led to the rise of social-media companies such as Facebook, Instagram, and Twitter. Initially, these companies emphasized their simple, elegant-looking interfaces and their... See more

At one point I was struggling to connect the dots and our moderator, the science fiction scholar Sherryl Vint, made the very astute observation that what seems to capture my interest is the gap between models and reality.

If we want to choose how we are interpellated by neural media, that is, if we want to shape ourselves and our subjectivity through the apparatuses of neural media, now is the time to work. Doing so will require that we embrace the unique characteristics of neural media through literacy and experimentation, with a critical sense and a clear... See more

but continued a love affair with language and meaning as texture and material.

“When I think about the internet (which is impossible),” Natasha Stagg writes, “I feel similar to when I have a crush. I feel crushed.”

Simply put, we don’t know what is important until many years later.

We are not undergoing a crisis of culture but rather a crisis of epistemology.