Techocalypse
If Aldous Huxley had known about endlessly scrolling short videos from a handheld device, he would have made it the preferred media interface of his Brave New World .
He wisely understood—unlike Orwell or Bradbury—that ruling elites don’t need censorship and book-burning if they can convince people to voluntarily abandon literacy.
He wisely understood—unlike Orwell or Bradbury—that ruling elites don’t need censorship and book-burning if they can convince people to voluntarily abandon literacy.
Ted Gioia • 40 Observations on Public Discourse
This is what a frictionless world looks like. Everything accelerates, until you forget what it means to try.
kyla scanlon • The Most Valuable Commodity in the World Is Friction
I personally think it makes people less attractive, authentic and worth connecting to. Anything that strips us of our imperfections is missing the point. The AI images, music and video are another. Of note, I actually think the meme uses are fine (it’s entertainment, not art, and that’s something else).
Adam Singer • The rise of AI nihilism
Productivity tools shape our thinking in ways that favor standardization, efficiency, and predictability. They demand structure before inspiration has a chance to strike. They ask for timelines when the problem itself is still hazy. But creativity is not linear. Often, it involves struggling down several blind alleys before finding the right path.
Sari Azout • The End of Productivity
You Don’t Have To Make Art
The early chorus of generative AI tools:
“Now everyone can make art regardless of their skills or tools.”
Could you not make art before? Even elephants can paint. Our ancestors created well known art by etching with a stone into the walls of the caves they called home. A kid with a box of discount crayons has no problem
