Streaming Wars
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Streaming Wars
In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more
While changes to a market are expected as it evolves, the interconnectedness of music streaming means that impacts are felt throughout the entire ecosystem. This is to say that there is a responsibility for all parties concerned to transparently engage in wider consultation before such impactful decisions are made. There is a shared responsibility... See more
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
Struum
struum.comTo prevent a future where cultural output is shaped by economic power alone, this report calls on digital services, rightsholders, regulators, and policymakers to take shared responsibility for ensuring that the streaming ecosystem supports innovation, inclusivity, and sustainable growth .
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
Gen AI for music has captured ~$300M in funding so far this year across several high-profile deals, the majority of which either focus on rights management and attribution (Musical AI, Vermillio, BRIA AI) or emphasize B2B partnerships (Music AI, ElevenLabs).
This suggests that industry alignment, rather than disruption, is the thesis that investors
Source: Water & Music, H1 2025: THE YEAR SO FAR IN MUSIC TECH DEALS
