Streaming Wars

these figures remain a sham. To get to 6.7 million, Netflix first tallies the film’s “viewing hours,” the total amount of time that users have spent streaming the movie. Here, Netflix makes no distinction between users who watch Sweet Girl all the way through, those who watch less than two minutes, and those who watch just a few seconds thanks to... See more

Major music rights holders and tech companies are now expected to generate profits for a dizzying array of stakeholders sitting outside of industry borders, including banks, private equity firms, big-tech conglomerates, and sovereign wealth funds — not to mention public retail investors.

There has been no central resource tracking these macro shifts... See more

In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more

There is currently a general lack of transparency around Discovery Mode . At the market level, it’s unclear who is engaging with the programme, whether the major rightsholders are using it or gain similar bene fi ts through other means, and how other interested parties are affected when it is utilised on a track. These concerns are compounded by... See more

In a stunning rebuke of traditional GOP deregulatory instincts, the Senate voted 99–1 to kill the measure. For the first time in decades, conservative priorities placed local cultural guardianship over the absolute freedom to innovate. That vote showed just how unsteady the old coalitions have become, and how powerful the populist realignment... See more