Streaming Wars
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Streaming Wars
Major music rights holders and tech companies are now expected to generate profits for a dizzying array of stakeholders sitting outside of industry borders, including banks, private equity firms, big-tech conglomerates, and sovereign wealth funds — not to mention public retail investors.
There has been no central resource tracking these macro shifts... See more
There has been no central resource tracking these macro shifts... See more
Bow down to our new music-tech overlords
In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more
Goldman Sachs’ latest Music In The Air report is forecasting that the “superfan” market could be worth $4.3bn globally next year. The subtext here is that this needs to become a priority focus for the music business as recorded music revenues actually fell short of Goldman Sachs’ expectations in 2024, causing it to downgrade its forecasts for this... See more
O Superfan: How Rock & Pop's Elite Screw their Loyal Supporters – and why it won't Work | The Quietus
@netflix DON'T MESS THIS UP!
You have one of the most unique opportunities to execute monetization on a global content platform ever.
DON'T TAKE A GENERIC ADS APPROACH!!!
My brain on how to think about ads from a customer and product first approach on Netflix.... See more
Adam Greniertwitter.comNetflix and the Conservation of Attractive Profits - Stratechery by Ben Thompson
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