spectacle anxiety
Debord and de Botton
spectacle anxiety
Separated from his product, man himself produces all the details of his world with ever increasing power, and thus finds himself ever more separated from his world. The more his life is now his product, the more he is separated from his life.
Society of the Spectacle
alienated consumption becomes for the masses a duty supplementary to alienated production
Society of the Spectacle
“Rousseau’s Discourse goes on to sketch the history of the world not as a story of progress from barbarism to the great workshops and cities of Europe, but as one of regress, from a privileged state in which we humans lived simply but were aware of our own needs to a state in which we are apt to feel envy for ways of life that can claim little conn
... See morethe objects which promise unique powers can be recommended to the devotion of the masses only if they’re produced in quantities large enough for mass consumption. A product acquires prestige when it is placed at the center of social life as the revealed mystery of the ultimate goal of production. But the object which was prestigious in the spectacl... See more
Society of the Spectacle
“If our need for status is a fixed thing, we nevertheless retain all say over where we will fulfil that need. We are at liberty to ensure that our worries about being disgraced will arise principally in relation to an audience whose methods of judgement we both understand and respect. Status anxiety may be defined as problematic only insofar as it
... See morecultural capital within sub-cultures
The first phase of the domination of the economy over social life brought into the definition of all human realization the obvious degradation of being into having.
Society of the Spectacle
The consciousness of desire and the desire for consciousness are identically the project which, in its negative form, seeks the abolition of classes, the workers’ direct possession of every aspect of their activity. Its opposite is the society of the spectacle, where the commodity contemplates itself in a world it has created.
Society of the Spectacle
“The spectacle presents itself simultaneously as all of society, as part of society, and as instrument of unification.”
Guy Debord, Society of the Spectacle
https://www.marxists.org/reference/archive/debord/society.htm
“The spectacle presents itself as something enormously positive, indisputable and inaccessible. It says nothing more than “that which appears is good, that which is good appears. The attitude which it demands in principle is passive acceptance which in fact it already obtained by its manner of appearing without reply, by its monopoly of appearance.
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