scenes and subcultures

There’s power in signaling insider knowledge to outsiders, so naturally we see the memetic propagation of idiomatic lore artifacts beyond the bounds of where they actually convey meaning. But as time goes on, their density and alienation from more universal lexicons makes it hard for even the ‘in-group’ to keep track of this internal meaning. It’s... See more

It makes sense that norms are shifting in this direction as Gen Z’s influence spreads. Raised on social media, with access to once illicit bad-taste touchstones like Rocky Horror just a click away, they’ve largely replaced IRL subcultures with a constellation of aesthetics—cottagecore, dark academia, Y2K—to be performed, then discarded or demoted... See more

It's not only UK dance music of the Nineties that is associated with cities; the whole history of popular music is about urban scenes. It's no accident that Motown started in Detroit, house in Chicago, hip-hop in New York… Cities are pressure cookers which can synthesise influences

quickly and in a way that is both collective and idiosyncratic.

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Scenia do not start fully-formed. Instead, they evolve through three stages: communities, micro-scenia, and scenia. 

Community: a group of people living in the same place or having a particular characteristic in common; a feeling of fellowship with others, as a result of sharing common attitudes, interests, and goals.

Examples: early personal

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So I will risk sounding like an old raver shaking her cane to note that subcultures, even the vapid ones, used to tie their participants to people and places. Getting into a scene could be work; it required figuring out whom to talk to, or where to go, and maybe hanging awkwardly around a record store or nightclub or street corner until you got... See more