Relationship with Time
Keely Adler and
Relationship with Time
Keely Adler and
LLMs introduce a temporality that is genuinely new: one that forces us to invent new cultural modes of production. How do we write, create, and remember in an environment where our tools are discontinuous archives, replaced every few years? How do we treat cultural memory when it arrives in frozen epochs, each already obsolete the moment it
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hanging out as a way to reclaim time as something other than a raw ingredient to be converted into productivity
culture is non-stationary—it changes, mutates, refuses to hold still. As Emmet puts it, models “actually get dumber over time as you use them,” because they are frozen snapshots of a past cultural moment. What they capture brilliantly is instantly outdated; what they recombine convincingly is subtly decayed.

The closer technology brings us to the cusp of feeling like we are the gods of our time, the more incredibly offensive it seems to be reminded of all the ways in which we still aren’t. So you get this utterly bizarre situation where the world speeds up and gets more and more efficient, and we have all this technology for saving time, but it
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