Racism

The racial status quo is comfortable for white people, and we will not move forward in race relations if we remain comfortable. The key to moving forward is what we do with our discomfort. We can use it as a door out—blame the messenger and disregard the message. Or we can use it as a door in by asking, Why does this unsettle me? What would it mean

As Hamer and her associates prepared to leave, they saw that police officers had surrounded the old school bus in which they had traveled to the courthouse. Hamer later described the scene in vivid detail: “By the time the eighteen of us going in two by two had finished taking the literacy test—now there’s people, mind you, there that day with

Colonialism has fundamentally altered our relationships with the web of life, and we are all living with its consequences. When Europe began its pillage of the Western Hemisphere in 1492, Indigenous cosmologies of reciprocity, relationships with and duties of care for water, land, and living beings were uprooted, replaced with a worldview animated

ideas make people of color think less of themselves, which makes them more vulnerable to racist ideas. Racist ideas make White people think more of themselves, which further attracts them to racist ideas.

At its core, police brutality is about power and corruption. Police brutality is about the intersection of fear and guns. Police brutality is about accountability. And the power and corruption that enable police brutality put all citizens, of every race, at risk. But it does not put us at risk equally, and the numbers bear that out.

thoughts and ways were never anything like mine? But each year I know love and belonging—a love that doesn’t require sacrifice at the altar of acceptance—I become more of who I already am. I am liberated into what Merton calls my “true self.” I believe this is my deepest calling.

GUIDED PRACTICE FOR R: RECOGNIZE Inquiry: What’s happening? What’s obvious in this moment? Practice: Noticing and naming

The relationship was further compounded by the fact that, historically, jazz musicians, regardless of skin color, had been seen primarily as entertainers, not artists.