Racism

The Princeton and Slavery Project, replete with documents, plays, and paintings, was an answer of sorts. It told the university’s sordid history, in part. There are now historical markers on campus and special tours. But the full consequences of the slave past haven’t yet been unearthed. They reached far beyond 1865. In the ’50s, James Baldwin felt

Ideas of blackness and criminality were becoming inherently interlinked.

Elvis’s life before fame featured repeated experiences with humiliation, but he also experienced something else characteristic of the South and the United States in general: the wages of Whiteness. An effort to place Elvis more accurately in history doesn’t just require a recognition that he saw his indebtedness to Black musicians. It also means

do not seek to explain or resolve the question of this exclusion in terms of assimilation, inclusion, or civil or human rights, but rather depict aesthetically the impossibility of such resolutions by representing the paradoxes of blackness within and after the legacies of slavery’s denial of Black humanity. I name this paradox the wake, and I use

To put it bluntly, I believe that the white collective fundamentally hates blackness for what it reminds us of: that we are capable and guilty of perpetrating immeasurable harm and that our gains come through the subjugation of others.

Paradoxically, many of these disciplinary policies are akin to the progressive vision espoused by eugenicists like Karl Pearson, justifying harsh discipline as a means to “close academic disparities.” Schooling becomes standardized testing without creative expression, arbitrary rules without room to breathe, Black Excellence without Black Joy.

We must all learn to live together as brothers or we will perish together as fools. This is the great challenge of the hour. This is true of individuals. It is true of nations. No individual can live alone. No nation can live alone. —MARTIN LUTHER KING JR.