Racism

creator of the Smithsonian Museum’s “Programs in Black Culture,” and one of the leading authorities on Black American music culture,

Traumatized people chronically feel unsafe inside their bodies: The past is alive in the form of gnawing interior discomfort. Their bodies are constantly bombarded by visceral warning signs, and, in an attempt to control these processes, they often become expert at ignoring their gut feelings and in numbing awareness of what is played out inside.

Perhaps you’ve known that person who devours beauty as if it belongs to them. It is a possessive wonder. It eats not to delight but to collect, trade, and boast. It consumes beauty to grow in ego, not in love. It climbs mountains to gain ownership, not to gain freedom.

Ideas of blackness and criminality were becoming inherently interlinked.

At its core, police brutality is about power and corruption. Police brutality is about the intersection of fear and guns. Police brutality is about accountability. And the power and corruption that enable police brutality put all citizens, of every race, at risk. But it does not put us at risk equally, and the numbers bear that out.

Decolonizing reality consists of unlearning consensual “reality,” of seeing through reality’s roles and descriptions by what Don Juan calls acts of not-doing.

One either allows racial inequities to persevere, as a racist, or confronts racial inequities, as an antiracist.

People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster. The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new