Profile of a Choreographer

If you’re afraid to go just that bit little farther and fuck the whole thing up, then you’re in trouble. You’re painting with one hand tied behind your back. My old teacher, the British painter Michael Tyzack, used to say, “Without risk, there can be no serious painting.”

How I overcame a fear of making mistakes.

I spent a period of time where my goal was to plow through work in the cheapest and most disposable way possible. My choice was cardboard—sheets of corrugated cardboard from the streets of Manhattan.

I’d haul it up to my studio in big bundles every day, and put it all over the walls, the floor—even on the... See more