on glitches, glimmers, and cracks in the fabric
“The glitch is a wonderful experience of an interruption that shifts an object away from its ordinary form and discourse… But once I named it, the momentum—the glitch—is no more…” For Menkman, the glitch cannot be described or it ceases to be what it claims; it is a lack, a break in the pattern of meaning that forces its own opening.
Tan Tuck Ming • My Grandmother Glitches the Machine
How do we spot ‘glimmers’ of the futures we all dream of? What forms of knowledge, and whose voices do we need to be attuned to, to ensure we are seeing these possibilities for what they are?
JRF • Emerging Futures: An Update
We're on the verge of transformation.
All the mourning and anxiety that comes with the collapse of Western systems can be channelled into visions for a new future.
Grief is not where we stop. Grief is where we begin.
What comes next is up to us.
instagram.comIt’s a bit like dreaming, which is always a bit like remembering.
Tan Tuck Ming • My Grandmother Glitches the Machine
eflecting on these points, you might say the process feels messy and unpredictable. Indeed, it should. The birth of something great is never serene. It’s a series of cracks and contortions in the rock, each break revealing a new gleam beneath the surface. Over time, what was once ambiguous becomes inevitable—what was once a mad experiment looks, in... See more
I’ve developed a certain tenderness for the glitch: the riddled, dysfunctional thing that evades the conditions of what might be expected and what might be known, rupturing unfamiliar territories, or maybe a glimpse into a second reality that has been there all along
Tan Tuck Ming • My Grandmother Glitches the Machine
As futurists we look for signals—small, often weird things. They are usually new technologies, new behaviors, new narratives that don’t fit into the mainstream, but that are often precursors of important transformations. We then try to discern the larger patterns that these signals herald to understand where they might lead ten or more years down
... See morewalkerart.org • The Gift: Creativity and the Artist in the Modern World
Erik Davis on The Ezra Klein Show recently spoke about “high weirdness,” saying that “‘weirdness’ isn’t just a quality of things that don’t make sense to us; it’s an interpretive framework that helps us better understand the cultures and technologies that will shape our wondrous, wild future.”