That is, of course, more or less the rub: if the Xerox machine is somewhat of a troubling invention, everything about our modern-day computer-rich ecosystem is a thousand times worse. My phone syncs to my tablet syncs to my laptop; the value proposition of every device on my person is that it instantaneously and unquestioningly shares copies — of... See more
And “indie,” in the current day, doesn’t necessarily mean “small”: the big-tent Beggars Group (4AD, Matador, Rough Trade, XL, and Young Turks) is inarguably a major business. North Carolina’s Merge Records has had multiple Billboard top tens, and is distributed by a NASDAQ-listed public company that counts among other clients Walmart, Target,... See more
Goldman Sachs’ latest Music In The Air report is forecasting that the “superfan” market could be worth $4.3bn globally next year. The subtext here is that this needs to become a priority focus for the music business as recorded music revenues actually fell short of Goldman Sachs’ expectations in 2024, causing it to downgrade its forecasts for this... See more
Grokster and StreamCast are dead. Even the iPod is no longer in production. They are buried and gone, like the Betamax and the Betamax “substantial non-infringing uses” standard — all relics of a bygone era, the ephemera of 2004. Copyright law barely made sense then. As you might suspect, 20 years later, it makes even less sense now.
To prevent a future where cultural output is shaped by economic power alone, this report calls on digital services, rightsholders, regulators, and policymakers to take shared responsibility for ensuring that the streaming ecosystem supports innovation, inclusivity, and sustainable growth .
In 1926, the year before The Jazz Singer popularized pre-recorded sound to cinema, theater pits employed 22,000 musicians in the United States; by 1934, there were only 4,100. Fewer musicians’ salaries meant lower ticket prices and more daily showings, and attendance almost doubled. New York City’s Local 802 organized picket lines outside theaters... See more
"The Future of Rock and Roll: 97WOXY and the Fight for True Independence," Robin James, and "Chokepoint Capitalism," Rebecca Giblin and Cory Doctorow.
In cases where the MLC is not able to match musical works to copyright owners, the MLC is authorized to distribute the unclaimed royalties to copyright owners identified in the MLC records, based on the relative market shares of such copyright owners as reflected in reports of usage provided by digital music providers for the periods in question.