mid culture
Despite all the crises we face – the cost of living, climate change, AI – any of which should surely be enough material to inspire real and meaningful art, the overwhelm of information paired with exhausting post-capitalist forces has created an atmosphere that is nihilistic and excruciatingly mid.
How Did Everything Get So Mid?
Vigorously participatory curatorial subcultures certainly exist, but in practice, they require too much time and energy to have a broad appeal. People enjoy sharing their discoveries with friends, and they may at least occasionally rate and review items. But most people, most of the time, leave the hard work of curation to others — or to
... See moreROGERS BRUBAKER • Hyperconnected Culture and Its Discontents
So, there you have it. The interiors of our homes, coffee shops and restaurants all look the same. The buildings where we live and work all look the same. The cars we drive, their colours and their logos all look the same. The way we look and the way we dress all looks the same. Our movies, books and video games all look the same. And the brands we
... See moreAlex Murrell • The Age of Average
maybe here, we do have an aesthetic counter to the wallflower non-style of Big Tech: a raging messy semiotic meltdown of radicalizing (if absurdist) meme culture where the only ideological no-go zone is the liberal center. Key here is that most of this activity is happening under the guise of avatars, pseudonyms, and collectively run social media
... See moreCaroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
Both share something that will define the future of our interaction with each other and machines. Algorithmic driven content, interfaces that shift from clicks and pages to a back and forth interactive volley with machines that do more and more to shape and surface deeply customized content, accomplish tasks, automate routines, and step us closer
... See moreTroy Young • When The Internet Becomes Chat
“To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform which may come in the form of betraying or divesting from your public online self
Caroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
It’s been endlessly argued that algorithms influence too much of what we watch, listen to, read, and even think. Personal taste erodes while decision-making is outsourced to the platform. This globalization, platform persuasion, and general apathy has spilled over into all types of homogenization: the look of our coffee shops, cars, architecture,
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In the age of social media, personal expression has become the most valuable form of currency, yet we still use the term ‘counterculture’ to describe alternatives to the hegemonic forces of yesteryear, as if dressing middle-class, white, and preppy still aligned with the rules of power today.