Media & Culture
Using media to think deeply about complex issues
Tara McMullin and
Media & Culture
I suspect the rise of inspiration-sharing platforms might be making me, and everyone else on the collaborative internet, more focused on publicising our taste rather than feeding it. It’s easier to go viral on Twitter (err, X) by posting “vintage design inspiration” than it is by posting your own work. New sites like PI.FYI, a social network from... See more
Elizabeth Goodspeed on the Importance of Taste – And How to Acquire It
By the time the Voice had assumed its current semi-undead form, following a 2020 resurrection, the creeping irrelevance of any bounded and singular context—including that of a town, much less “the biggest media town in America”—had become the kind of thing a person might fail to notice while engaged in the ruthless business of noticing everything... See more
Michelle Orange • How the Village Voice Met Its Moment
One hallmark of our current moment is that when an event happens, there is little collective agreement on even basic facts. This, despite there being more documentary evidence than ever before in history: Information is abundant, yet consensus is elusive.
Charlie Warzel • I’m Running Out of Ways to Explain How Bad This Is (Again)
Anyone is capable of cherry-picking media to suit their arguments, of course, and social media has always narrowed the aperture of news events to fit particular viewpoints. Regardless of ideology, dramatic perspectives succeed on platforms.
n this sense, Labubus do seem to be a defining moment of 2020s culture. For those interested in moving culture away from fads such as these, resistance requires much more than a refusal to consume. If fads are narratives as much as products, they need to be starved of engagement, as well. We haven't figured out how to do this yet.
W. David Marx • Only Fads: A Culture (And Economy) of Labubu
intentionality
That's why we have intermediaries, and why disintermediation always leads to some degree of re-intermediation. There's a lot of explicit and implicit knowledge and specialized skill required to connect buyers and sellers, creators and audiences, and other sides of two-sided markets. Some producers can do some of this stuff for themselves, and a... See more
Cory Doctorow • Pluralistic: Middlemen Without Enshittification; The Bezzle Excerpt
Perhaps this pattern of radicalisation followed by recuperation has even happened with each emergent technology – newspapers, novels, film, (pirate) radio, the Internet. Each time, the new medium has a progressive force, dehabituating people from expected relations, offering new channels for experimental activity, mediatised subcultures, and the... See more
Andy McLaverty-Robinson • Walter Benjamin: Art, Aura and Authenticity | Ceasefire Magazine
When everything is cheerfully “retro,” Fisher argued, we lose our grasp on history—and, without a sense of why the past happened the way it did, our anything-goes embrace of “happy hybridities” is an empty gesture. “What pop lacks now is the capacity for nihilation, for producing new potentials through the negation of what already exists,” he
... See moreMark Fisher’s “K-Punk” and the Futures That Have Never Arrived
Hua Hsu, December 11, 2018, New Yorker