Live Digital
The artful and intentional creation of space on the internet where people can gather, interact, and experience each other live.
Jessica Ryan and
Live Digital
In order to imagine where the future is headed, let’s first lay out the three main steps of connection building to examine how the physical and digital worlds fare at each:
- Discovery : you find someone you want to meet, or that person finds you
- Connection : some initial contact is established
- Connection strengthening : further interactions
Joey DeBruin • The digital flip
The Pandemic Has STILL Shifted the Types of Cultural Entities People Prefer to Visit
Colleen Dilenschneidercolleendilen.com
Joshua Reader on LinkedIn: The Big Battle for Creators 🥊
linkedin.com
Short-form is critical for building audience, but long-form is critical for building engagement. In the context of today’s revenue share formulas and sponsorship models, high-quality fan engagement will be the key to long-term success as the industry continues to evolve.
this is a 1996 guide on how to help someone use a computer. it’s strikingly resonant with ‘how to be a parent’, or really ‘how to help anyone with anything’. a nice example of “the universal within the particular”
This is shockingly close to how we approach building internet-driven live experiences with our collaborators and clients today 🤯
the new digital city, if we are to have one, will need to be carefully designed. properly, and for scale. and with designs that fix the mistakes of previous cities and past bad designs. all the harmful things should be accounted for in digital cities
we are re-creating life here
eugene, season 2 (work in progress)twitter.com
The scale of differentiation necessary to produce an MVIP has historically been determined based on the past behavior and preferences of demand. People liked to consume IP via books, movies, TV shows and comic books, not via an outline, or a few chapters, or a single picture.
Now, however, the disruption of traditional IP distributors via streaming and social media networks allows IP owner to have more flexibility in terms of production and distribution.
Lil Nas X, for example, is able to distribute his music (his IP) instantly by publishing a song (‘Old Town Road’) on SoundCloud and have it explode in popularity via remixing and UGC on TikTok. Previously, he would have had to wait to be discovered by a record label, who then would decide when to release his music and in what form factor — most likely as an album rather than a single.