IMAGE MAKERS
John Waters
IMAGE MAKERS
John Waters
Notes on B-Movies
Mennel, Barbara. Queer Cinema : Schoolgirls, Vampires, and Gay Cowboys, Columbia University Press, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/ual/detail.action?docID=946274.
Because camp cuts across experimental avant-garde film, popart and trash cinema, the chapter’s second section connects analyses of
John Waters has been called many things: the Prince of Puke, the People’s Pervert, the Pope of Trash. But, above all, he’s a storyteller. For nearly 60 years he’s offered a uniquely subversive form of social commentary by bulldozing through contemporary notions of American “good taste”. No other film director would devise a scene where an
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‘I am God … killing and blood make me cum.’ Divine, aka Babs Johnson, as the self-proclaimed ‘filthiest person in the world’ in Pink Flamingos
Jack Smith’s Flaming Creatures/ B Roll films
https://www.moma.org/collection/works/316516
One of the first films tht inspired John Waters
At midnight on April 29, 1963, the movie screen at New York’s Bleecker Street Cinema lit up with visions of men and women in makeup and dresses; draped white fabric and a tall vase filled with feathery blooms; and
... See more“Male trouble”: Sewing, amateurism, and gender
by Joseph McBrinn
DOI: 10.5040/9781474248983.ch-001
Page Range: 27–44
The American director John Waters’s 1974 Female Trouble was one of the first in a series of films to establish the campy, outlandish, and monstrous domestic characters and situations that attracted both recognition and notoriety. In Fema
... See moreMary Avera Maryland censorship baord debate w Rex Reed
John Waters
Mennel, Barbara. Queer Cinema : Schoolgirls, Vampires, and Gay Cowboys, Columbia University Press, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/ual/detail.action?docID=946274.
Waters began making films with shock value in the 1960s in Baltimore, a city defined by urban grittiness, B-movie houses and working-class
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