slow productivity by cal newport

But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it.

Here we find as good a general strategy for balancing obsession and perfectionism as I’ve seen: Give yourself enough time to produce something great, but not unlimited time. Focus on creating something good enough to catch the attention of those whose taste you care about, but relieve yourself of the need to forge a masterpiece. Progress is what ma

Glass focuses on the gap that often exists between taste and ability—especially early on in a creative career. It’s easier to learn to recognize what’s good, he notes, than to master the skills required to meet this standard. I can see brilliance in the epic three-minute tracking shot that opens Paul Thomas Anderson’s Boogie Nights, but I would hav

These authors demonstrate one of the more approachable strategies for betting on yourself: temporarily dedicating significant amounts of free time to the project in question. The stakes here are modest: If you fail to reach the quality level that you seek, the main consequence is that during a limited period you’ve lost time you could have dedicate

What makes Jarvis’s story so heartening is its demonstration that these benefits of “obsessing” over quality don’t necessarily require that you dedicate your entire life to the blinkered pursuit of superstardom. Jarvis didn’t sell fifteen million records; he instead became, over time, good at core skills that were both rare and valuable in the part

When someone has invested in your project, you’ll experience amplified motivation to pay back their trust. This is true for investments of financial capital, as with Carpenter and Akkad. But it’s also true for investments of sweat equity, such as when a friend helps you build the sets for a theatrical production or spends an afternoon stuffing enve

In most cases, their audience wouldn’t care about the minor quality difference between that professional mic and a cheaper USB option, but to the aspiring podcaster, it’s a signal to themselves that they’re taking the pursuit seriously. We also see these dynamics at play when computer programmers set up elaborate digital workstations featuring two