Futures thinking

Whatever action I take, walking, eating and excreting, incurs a cost to other lives, whether by killing and eating them directly, or by eating foods that they could otherwise have lived on. The most extreme impact my life has on other species is extinction, not just of their physical presence, but also of their memories, both those acquired within... See more

Novel technologies like artificial intelligence or neurotechnology are expected to have social implications in the future. As they are in the early stages of development, it is challenging to identify potential negative impacts that they might have on society. Typically, assessing these effects relies on experts, and while this is essential, there... See more

While it’s tempting to play with scenario planning and leave it at the implications, we must not hide behind the data, deck or titles of our roles, protecting us from the vulnerability of getting out there and doing the messy work: making the futures we wish to see.

Participants said the workshop helped them notice they were not considering certain groups in their future thinking. Socially oppressed groups are left outside their typical future imagination. This was one of the aspects that participants considered central learning, the necessity to think about others.

Another learning that participants identified... See more

The Futures Triangle can also be used for inner

work. The pull of the future is where one

wishes to be, the desired personal life one

imagines for oneself. The weight of the past can

be blocks - inner or outer - preventing one from

achieving the vision. The pushes of the present

can be enablers or externals pushes one needs

to navigate.

To meet these challenges and increase the impact of foresight work, we need to rethink our approach from the very beginning of a project.

The home of the Utopian impulse was architecture rather than painting or sculpture. Painting can make us happy, but building is the art we live in; it is the social art par excellence, the carapace of political fantasy, the exoskeleton of one’s economic dreams. It is also the one art nobody can escape.