Future of the Arts
Jessica Ryan and
Future of the Arts
The Pandemic Has STILL Shifted the Types of Cultural Entities People Prefer to Visit
Colleen Dilenschneidercolleendilen.com
On one hand, this trend is potentially devastating for the performing arts industry. On the other hand, this challenge may represent a revolutionary opportunity for these organizations to fundamentally adapt engagement methods and means to change up these experiences as we currently know them – or at least to change up business models so that they
... See moreColleen Dilenschneider • The Pandemic Has STILL Shifted the Types of Cultural Entities People Prefer to Visit
They learned that they messed up. A blind spot was revealed to them. In terms of fixing that blind spot, they did a very accessible step for an institution — you educate yourself, you hire consultants, you have a “gender explosion” workshop with your current production. But often that first step of education ends when the workshop is done, which I... See more
Vulture • 1776’s Sara Porkalob Has Some Notes
Cartographer
kuochinyun.wordpress.comThe cast is a group of women and nonbinary people originating at ART, a very specific institution that has a recent, problematic history with how they approach representation for nonbinary people. What did ART learn or not learn from past experiences?
Vulture • 1776’s Sara Porkalob Has Some Notes
The job for any studio is to create a great story and exploit it across as many channels as possible—theme parks, merchandise, games, movies, TV, TikTok, etc.
Eleven propositions to the question: What is contemporary about craft?
Julia Bryan-Wilsonarts.berkeley.edu