To find out Adam Mastroianni analysed the top 20 grossing films in every year since 1977 and coded whether each was part of a “multiplicity” (i.e. a sequel, prequel, franchise, spin-off, reboot etc.).
What he found was surprising:
“Until the year 2000, about 25% of top-grossing movies were prequels, sequels, spinoffs, remakes, reboots, or cinematic ... See more
“The Big Flat Now is the infinite space on which our culture operates today. Its frictionless surface is composed of the obsolete hierarchies that have been melted by the Internet. Its shallowness belies a seamless texture that allows for the rapid collision of ideas,” write Thom Bettridge and Lucas Mascatello in 032c. “Raised by a global chorus of... See more
Outdoors, the situation is depressingly similar. After New York replaced the sodium-vapor lights in the city’s 250,000 streetlamps with shiny new LEDs in 2017, the experience of walking through the city at night transformed, almost . . . overnight. Forgiving, romantic, shadowy orange gave way to cold, all-seeing bluish white. Again environmental co... See more
How did workplace management systems, body-positive nutritional supplements, bean-forward meal kits, woman-owned sex toys, and woman-owned day-trading services all converge on the same three fonts?
Across the street, a row of fast-casual chains, whose names and visual identities insist on modesty and anonymity: Just Salad, Just Food For Dogs, Blank Street Coffee. (This raft of normcore brands finds its opposite in the ghost kitchens down the block, which all for some reason are called things like Fuck Your Little Bitch Burrito.) Up ahead is a... See more
Elizabeth Goodspeed argues this is because these brands are more likely to draw inspiration from the same vast online sources. The result, she says, is a “moodboard effect”:
“This kind of visual homogeneity is a common occurrence in the art direction world, where ubiquitous styles operate less like trends and more like memes; remixed and diluted un... See more