Curation Is King

As T Bone Burnett once said, “Major labels figured out that catering to people who don’t need music in their lives makes them more money.” Passive streaming is a prime example—when music plays in the background at shops, hairdressers, or when Spotify keeps going after you’ve fallen asleep. Major labels don’t pay for these streams but heavily invest... See more

My latest column at The New Yorker is about the revenge of homepages: Why we're turning toward individual websites as the platform era of the internet continues to disintegrate.

I started working on this piece because I've found myself going to homepages more often. It's a way to get a controlled, curated look at what a publication offers, and a ch... See more

What we’re not noticing enough is the fact that algorithms have flattened our cultural landscape and induced a sense of passivity and numbness, challenging our capacity to engage deeply or be genuinely curious.

"There has never been more TV to watch. At any given time, you can stream shows old and new from platforms as wide-ranging as Netflix, HBO Max, Hulu, Peacock, and Amazon Prime, or you can indulge in a more niche service like Shudder (for horror fans) or Acorn (for British programming). If you find yourself paralyzed by the sheer wealth of content, ... See more

It’s the same bargain as TikTok and YouTube, but what I’ve found really compelling about FAST TV isn’t the affordability or the solid array of content; it’s how liberating it feels to remove some of the choice from the situation.