curating obscure social medias

I like sharing with a smaller group. I don't want to put deeply personal things on Instagram at all. I like it for ... well I used to like it for things but these days not so much.

That’s kind of how social media has always been in a sense — from choosing a MySpace Top 8 to uploading albums to Facebook to reposting on Tumblr. We’ve always found ways to sort through and present parts of ourselves online. And right now, I’m leaning into that. I don’t miss MySpace or Facebook, but I do miss Tumblr and the ways I’d mix outfit... See more

Sharing the books you read with others can be an intimate invitation into your brain — what you are drawn to, what you think about, and the life experiences that shaped those interests and thoughts. Even a book chosen based solemnly on aesthetics or its cultural context is still a choice that says something about its owner, or at the very least,... See more

I spend a lot of time seeking out music from different countries and regions, and with each passing year the challenge of finding something distinctively local increases.

This is a tremendous loss for everybody—akin to losing a species or an entire ecosystem. I feel I’m fighting a losing battle, but I refuse to walk away from the challenge.

When you choose whom to follow on Twitter, you’re choosing what types of mindsets and aesthetics to expose yourself to on a regular basis. You’re choosing what types of conversations to have. You’re choosing to be reminded regularly of certain things, and not of others. This is a kind of Programmable attention.

As a writer and culture critic, I operate at the intersection between these corporations and the mass audience. My influence is limited, but if I don’t play a part in trying to revitalize and refresh our artistic idioms, I will have wasted much of the potential of my vocation.

This is why, for example, I listen to so much new music and read so many... See more

It seems that most people can remember only a few high-level details of a book weeks later—if that. A typical reader might spend hours finishing some serious non-fiction—then maybe it comes up at a dinner party, and they find you can remember like three sentences. Basically no detailed recall.