curating obscure social medias

As a writer and culture critic, I operate at the intersection between these corporations and the mass audience. My influence is limited, but if I don’t play a part in trying to revitalize and refresh our artistic idioms, I will have wasted much of the potential of my vocation.

This is why, for example, I listen to so much new music and read so many... See more

I spend a lot of time seeking out music from different countries and regions, and with each passing year the challenge of finding something distinctively local increases.

This is a tremendous loss for everybody—akin to losing a species or an entire ecosystem. I feel I’m fighting a losing battle, but I refuse to walk away from the challenge.

It seems that most people can remember only a few high-level details of a book weeks later—if that. A typical reader might spend hours finishing some serious non-fiction—then maybe it comes up at a dinner party, and they find you can remember like three sentences. Basically no detailed recall.

To be transformed by a book, readers must do more than absorb information: they must bathe in the book’s ideas, relate those ideas to experiences in their lives over weeks and months, try on the book’s mental models like a new hat. Unfortunately, readers must drive that process for themselves. Authors can’t easily guide this ongoing sense-making:... See more

The people I find most interesting on social media are using it as a sort of diary/note to self, not broadcasting to an audience.

Sharing the books you read with others can be an intimate invitation into your brain — what you are drawn to, what you think about, and the life experiences that shaped those interests and thoughts. Even a book chosen based solemnly on aesthetics or its cultural context is still a choice that says something about its owner, or at the very least,... See more