culture
Arkive
arkive.netThe dream of a Liberal (arts) education—which is the scaled, democratic form of the Keatsian ideal of negative capability—cannot hold up when liberalism itself is held to be suspect.
Zohar Atkins • The Liberal Arts Are Dying Because Liberalism is Dying
In reality, Spotify was subject to the outsized influence of the major-label oligopoly of Sony, Universal, and Warner, which together owned a 17 percent stake in the company when it launched. The companies, which controlled roughly 70 percent of the market for recorded music, held considerable negotiating power from the start. For these major... See more
Liz Pelly • The Ghosts in the Machine

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.
Anastasia Berg • On the Aesthetic Turn | The Point Magazine
The crowd is the flâneur’s indispensable counterpart: the crowd turns people into observable objects . In Edgar Allan Poe’s ‘The Man in the Crowd’ the protagonist pursues an intriguing figure through the streets of London for a whole night without ever being able to see his face: in big cities, one can stroll through busy streets without... See more
