culture
Every doctrine of inevitability carries a weaponized virus of moral nihilism programmed to target human agency and delete resistance and creativity from the text of human possibility. Inevitability rhetoric is a cunning fraud designed to render us helpless and passive in the face of implacable forces that are and must always be indifferent to the... See more
the perfect playlist
Shoshana Zuboff, The Age of Surveillance Capitalism
A reading revolution is taking place on this notorious message board, most famous for alt-right memes, anything-goes chatter, and large-scale coordinated pranks (several hoax bomb threats organised by the site have led to arrests and mass evacuations). Users operate under total anonymity and are subject to bare-bones moderation. Most of the... See more
How 4chan became the home of the elite reader
For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.
Anastasia Berg • On the Aesthetic Turn | The Point Magazine
And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.
Ella Dorn • The girls don't know film history
Side eye @ streaming services.

Her discovery may have been crucial to creating the atomic bomb, but she wanted nothing to do with it nor wanted to be depicted in films about it. And I believe Meitner’s refusal to participate in the weaponization of her work on moral grounds makes her more worthy of commemoration than Oppenheimer. She chose humanity over notoriety.
Olivia Campbell • Lauding Lise Meitner, Who Said ‘No’ to the Atomic Bomb
