culture
Average True Range — Market Makers - Documentation
walrus-flower-cnxs.squarespace.com"The art market is neither a hero nor a villain but mirrors society’s evolving connections with art, value, and finance. Art can do many things; it can depict the irreconcilable and the absurd, whether loudly amidst the daily discourse of society or discreetly as insiders obscure the underlying allusions."
In-spire: breathing in, breathing out, huffing from the sense that there is more to life than materialism (nihilistic metaphysics), utilitarianism (nihilistic ethics), and small-talk (nihilistic speech).
Zohar Atkins • Lightning: A Manifesto
To be honest, my appetite for this sort of online blowup diminishes hourly. Though I’m as prone to schadenfreude as any other media professional trying to hold onto relevance in an increasingly winner-take-all economy, there’s something about watching extremely online people have noisy meltdowns that makes me feel like I’m inhaling my own body... See more
Who Killed Creative Writing?
There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more
In Defense … of the Ellipsis
What Makes You You Makes the Universe: Nobel Laureate Erwin Schrödinger on Quantum Physics, Vedanta, and the Ongoing Mystery of What We Are
Maria Popovathemarginalian.org
Welcome to Integral Life – Integral Life
integrallife.com
It’s hard to talk about “masterpieces” because the concept trades on a theory of aesthetics that is controversial when spelled out (aesthetic value realism; maybe even a kind of Platonism about beauty) and difficult to defend, but which we all nevertheless subscribe to intuitively.
The Cultural Decline of Literary Fiction
Her discovery may have been crucial to creating the atomic bomb, but she wanted nothing to do with it nor wanted to be depicted in films about it. And I believe Meitner’s refusal to participate in the weaponization of her work on moral grounds makes her more worthy of commemoration than Oppenheimer. She chose humanity over notoriety.