culture

The unabated “creative destruction” of one kind of capital after another has only further increased the wealth of a few and done nothing to emancipate the overall collective creative spirit, which has remained stagnant. Today, almost every artistic effort inevitably (perhaps unknowingly) reinscribes the values of the ruling capitalist class.

iron law of the internet: any movement or subculture will be judged by its most cringe members

The young would-be feminists flocking to “WitchTok” for advice on how to conjure love and manifest success are hardly atheists. Neither are the young men of the right who, if not crowding back into traditionalist churches, grope for a spirituality of strength, vitality, and meaning among the aesthetic ruins of ancient warrior cults. These are... See more

It’s hard to talk about “masterpieces” because the concept trades on a theory of aesthetics that is controversial when spelled out (aesthetic value realism; maybe even a kind of Platonism about beauty) and difficult to defend, but which we all nevertheless subscribe to intuitively.

There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more