culture
The prestige recession
ystrickler.com
Instead, art and culture have been safely neutralized as interchangeable commercial objects just like everything else.
At its best, cultural criticism is love and art that exists to give love to other expressions of art. It’s beautiful in its indulgence. A positive feedback loop that gives everybody exactly what they desire. Gods, scribes, muses, an audience, a culmination. This is what we want out of art. Something that feels grand, meaningful, connected to the ages. That doesn’t happen on its own. It needs context, dedicated space, deeper knowledge, appreciation.
Riveting. Glorious. Soloist Verneri Pohjola is both virtuosic and agonizingly human. What a premiere for Kaija Saariaho's final composition. May she rest in peace: https://areena.yle.fi/1-66089818
The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
How 4chan became the home of the elite reader
Culture Eats Strategy: Nucor’s Ken Iverson on Building a Different Kind of Company
Shane Parrishfs.blogNew Renaissance Ventures
nr.ventures
Well, even though making and releasing music has become easier than ever, the support of a major label — and its marketing powerhouse — is one of the top determinants (if not prerequisites) for getting access to some of the most valuable streaming "real estate" .