criticism

“works of art can sensitize us to the amount and kind of labor, of human time and effort, stored in everything we use and think we want”

SOME EXERCISES IN SLOW PERCEPTION

https://www.artforum.com/features/some-exercises-in-slow-perception-212529/

via Instapaper

“there is also something flat-out funny about Wilke’s sculptural work, an attitude shared with a number of works made by Hesse, Bourgeois, and others, although it is an aspect of their work that tends to get overlooked—too awkward, a bit embarrassing to an artworld for whom “funny” is often a dirty word”

Wilke - Acquavella Galleries - Hesse / Wilke

h... See more

“Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes art into an article for use, for arrangement into a mental scheme of categories.”
-Susan Sontag, “Against Interpretation”

“Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life—its material plenitude, its sheer crowdedness—conjoin to dull our sensory faculties.”
-Susan Sontag, “Against Interpretation”

“the entire enterprise of art making provides the ground for finding the limits and possibilities of certain kinds of behavior and that this behavior of production itself is distinct and has become so expanded and visible that it has extended the entire profile of art. This extended profile is composed of a complex of interactions involving factors... See more

“I do think there is a state of quality that is necessary, but it is not based on correctness. It has to do with the quality of the piece itself and nothing to do with neatness or edges. It’s not the artisan quality of the work, but the integrity of the piece . . . I’m not conscious of materials as a beautiful essence . . . For me the great... See more

“they exemplify a kind of ethical resignation. Their use of very limited, repeated operations may be taken to express a suspicion of the meaning of any activity that cannot be undertaken with the relaxed concentration they embody. Such works discover a freedom in the unforeseeable effects of repetitive, deliberate activity, although they seem also... See more

When art, which was the common language of social inaction, becomes independent art in the modern sense, emerging from its original religious universe and becoming individual production of separate works, it too experiences the movement that dominates the history of the entirety of separate culture. The affirmation of its independence is the... See more

Society of the Spectacle

“In object-type art process is not visible. Materials often are. When they are, their reasonableness is usually apparent.”

Anti Form

https://www.artforum.com/print/196804/anti-form-36618

via Instapaper