Craft / Creative Process

When writing for children: Write up, not down. Don’t dumb it down. They love a challenge.

I love the thoughtfulness and transparency here with iA’s icon design. You learn as much from their process as their product.

“I can feel jealous of David Sedaris’s fame, I can feel like I’ll never get to that point, but I should ask myself: am I doing 15 or 20 full rewrite drafts of my essays? Am I pushing myself to search for a universal feeling, for a moment of poignancy, and for a laugh, all in the same piece? Am I doing what he did, in my own way? No, no, and no. I am not. If I did that, and then did it for 15 years before getting published, like he did, then maybe I would find out how close to David Sedaris (or my own equivalent) that I could get.”

The only way I knew how to process being sick was to think about it in terms of a finished art project.

I have felt this compulsion, that my creativity of late has not channeled my true pain and truth. It has made me look at my own work with some disdain, because I am not being honest enough, or something. But I don’t want to share everything and every part of me. Alas, it’s a battle.

A poet asked me to illustrate a book, and I realized I don’t think I’m an illustrator—I think I’m a bookmaker.

I can relate. Since illustrating my own book, I’ve spent a lot more time drawing, and this has brought up opportunities to illustrate other peoples’ books. But it just didn’t feel right. I want to tell stories, and often they come to me in words as well as drawings, and I like to show both. I think that makes me more of a multimedia storyteller, than what we might think of as an illustrator.