đ§ craft
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it, ac
Just as I believ... See more
Cameraperson by Kirsten Johnson
AN INCOMPLETE LIST OF WHAT THE CAMERAPERSON ENABLES For the cameraperson: âAccess and a reason to stay in worlds not of oneâs own âPermission to behave, ask, do in ways that are transgressive/ outside social norms âComplete distraction from oneâs own life âThe creation of evidence of experience âThe chance to be close
... See moreEno explains:
"[On one end, you have] auto-tune that perfectly puts music into tuneâŚwhich is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished thi... See more
loving the process
Natalie Audelo and ⢠134 cards
Daniel Southwell ⢠The Art of Writing a Novel Slowly
Lawrence Yeo ⢠The Arc of the Practical Creator - More To That
Medium ⢠Rewilding the Imagination
Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed.... See more
David Foster Wallace,