🧭 craft
Funnily enough, the only way to produce our best work is to take the requisite time away from it. It is only through a still and relaxed mind where we can think clearly and make the most of our talents and abilities.
Lawrence Yeo • The Omnipresence of Work - More To That
Creativity: “I can’t get new ideas staring at a blank page. Creativity, for me, requires motion. When you go on a walk, you can turn your world into an idea-generating sensorium, and ideas will spring up from the most unlikely sources. There is one thing that’s absolutely certain about creativity: It’s an active process, not a passive one. The best... See more
Ryan Hawk • Episode #464: Polina Pompliano – Profiles Of The World’s Greatest Performers, Makers vs. Managers, & Building Trust Through Consistency
Increasingly, the work that stand out will be more raw and incomplete (because — by definition — new ideas haven’t been optimized because…they are new).
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished... See more
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished... See more
In our society, the spaces for adults to play are mostly constrained, for example, to sports, or going to the pub. And opportunities to live a life of imagination are reserved for exceptionally privileged people, like designers, actors, artists and film directors. This lack of imagination in our lives is an existential risk for society and... See more
Medium • Rewilding the Imagination
Creative endeavors are inspiring because the scope of the problem often feels bigger than your capacity to solve it. But because you find that problem so worthwhile, you’re willing to put in the effort required to provide the best solution possible. Through this process, you become a more capable person, which allows you to address more worthwhile... See more
Lawrence Yeo • The Arc of the Practical Creator
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it,
I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures.... See more
There’s also something to be said about collating and curating in the slow writing process—facts, knowledge, smells, descriptions, stories, passport stamps, headlines—until the collection becomes part of the transformation process. Through acute and critical attention, away from the drive of production, toward the singularity of studying a branch,... See more
Melissa Matthewson • A Revolution in Creativity: On Slow Writing
"I cannot find any patience for those people who believe that you start writing when you sit down at your desk and pick up your pen and finish writing when you put down your pen again; a writer is always writing, seeing everything through a thin mist of words, fitting swift little descriptions to everything he sees, always noticing.
Just as I... See more
Just as I... See more