đ§ craft
Cameraperson by Kirsten Johnson
AN INCOMPLETE LIST OF WHAT THE CAMERAPERSON ENABLES For the cameraperson: âAccess and a reason to stay in worlds not of oneâs own âPermission to behave, ask, do in ways that are transgressive/ outside social norms âComplete distraction from oneâs own life âThe creation of evidence of experience âThe chance to be close
... See moreWhat we are trying to do influences what becomes salient to us. If you are looking for a friend in a crowd, faces become salient to you, faces that would have otherwise passed you by. If you are making videos, you will notice patterns in the videos you watch. If youâre not, you can watch a thousand videos and have them pass through your head clean
... See moreHenrik Karlsson ⢠How MrBeast Learns
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tuneâŚwhich is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished thi... See more
Lawrence Yeo ⢠The Arc of the Practical Creator
loving the process
Natalie Audelo and ⢠147 cards
Melissa Matthewson ⢠A Revolution in Creativity: On Slow Writing
Lawrence Yeo ⢠The Omnipresence of Work - More To That
Medium ⢠Rewilding the Imagination
Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed.... See more
David Foster Wallace,