š§ craft
loving the process
Natalie Audelo and ⢠145 cards
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it, ac
- Introducing a long delay between when you do the work and when it is shown to the world. Annie Ernaux writes about this in A Simple Passion, a memoir about how she becomes obsessed in a banal way with a man who is having an affair with herāthe thought that others will read th
Substack ⢠Notes | Substack
Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed.... See more
David Foster Wallace,
Nix š ⢠carry yourself lightly
Medium ⢠Rewilding the Imagination
Eno explains:
"[On one end, you have] auto-tune that perfectly puts music into tuneā¦which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished thi... See more
Cameraperson by Kirsten Johnson
AN INCOMPLETE LIST OF WHAT THE CAMERAPERSON ENABLES For the cameraperson: āAccess and a reason to stay in worlds not of oneās own āPermission to behave, ask, do in ways that are transgressive/ outside social norms āComplete distraction from oneās own life āThe creation of evidence of experience āThe chance to be close
... See more