🧭 craft

"I cannot find any patience for those people who believe that you start writing when you sit down at your desk and pick up your pen and finish writing when you put down your pen again; a writer is always writing, seeing everything through a thin mist of words, fitting swift little descriptions to everything he sees, always noticing.

Just as I... See more

Creativity: “I can’t get new ideas staring at a blank page. Creativity, for me, requires motion. When you go on a walk, you can turn your world into an idea-generating sensorium, and ideas will spring up from the most unlikely sources. There is one thing that’s absolutely certain about creativity: It’s an active process, not a passive one. The best... See more

Increasingly, the work that stand out will be more raw and incomplete (because — by definition — new ideas haven’t been optimized because…they are new).

Eno explains:

"[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished... See more

From George Saunders, on nuance and embracing complexity:

the writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it,

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There’s also something to be said about collating and curating in the slow writing process—facts, knowledge, smells, descriptions, stories, passport stamps, headlines—until the collection becomes part of the transformation process. Through acute and critical attention, away from the drive of production, toward the singularity of studying a branch,... See more

But I don’t think obsessive hustling makes good literature, or good writers, because writing is only the second part of the work. Most of the work is just existing. Writing, like, I suspect, any creative art, is just an attempt to transcribe infinity. And you have to sink into infinity slowly.

Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed.

David Foster Wallace,

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Creativity, Tinker likes to say, is a function of the “library in your head.” “When you sit down to create something…what you create is a culmination of everything you’ve seen and done previous to that point.” What you pour out is a culmination of everything you’ve filled up on previous to that point.