🧭 craft

I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures.... See more

In our society, the spaces for adults to play are mostly constrained, for example, to sports, or going to the pub. And opportunities to live a life of imagination are reserved for exceptionally privileged people, like designers, actors, artists and film directors. This lack of imagination in our lives is an existential risk for society and... See more

From George Saunders, on nuance and embracing complexity:

the writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it,

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Here are some other techniques people use to access and maintain the zone:

• Introducing a long delay between when you do the work and when it is shown to the world. Annie Ernaux writes about this in A Simple Passion, a memoir about how she becomes obsessed in a banal way with a man who is having an affair with her—the thought that others will read

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Cameraperson by Kirsten Johnson

AN INCOMPLETE LIST OF WHAT THE CAMERAPERSON ENABLES For the cameraperson: —Access and a reason to stay in worlds not of one’s own —Permission to behave, ask, do in ways that are transgressive/ outside social norms —Complete distraction from one’s own life —The creation of evidence of experience —The chance to be

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Funnily enough, the only way to produce our best work is to take the requisite time away from it. It is only through a still and relaxed mind where we can think clearly and make the most of our talents and abilities.

What we are trying to do influences what becomes salient to us. If you are looking for a friend in a crowd, faces become salient to you, faces that would have otherwise passed you by. If you are making videos, you will notice patterns in the videos you watch. If you’re not, you can watch a thousand videos and have them pass through your head

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But I don’t think obsessive hustling makes good literature, or good writers, because writing is only the second part of the work. Most of the work is just existing. Writing, like, I suspect, any creative art, is just an attempt to transcribe infinity. And you have to sink into infinity slowly.