content as capital
on the state of content as an industry and machine for makers, creators, influencers, and users across the internet
Keely Adler and
content as capital
The thing that makes “influencer” such an attractive option in those surveys is precisely this idea that it names the outcome rather than the actual work. We don’t actually have a good word for what it means to do that work. Partly this is because there are big differences between platforms (and within platforms, for that matter), and there is no... See more
Collin Brooke • Unfluence
That's why we have intermediaries, and why disintermediation always leads to some degree of re-intermediation. There's a lot of explicit and implicit knowledge and specialized skill required to connect buyers and sellers, creators and audiences, and other sides of two-sided markets. Some producers can do some of this stuff for themselves, and a... See more
Cory Doctorow • Pluralistic: Middlemen Without Enshittification; The Bezzle Excerpt
The greatest danger of the culture war is that it pressures people to take a stance on issues they know nothing about.
-Gurwinder
I think the defining economic reality of the modern platform media world is that all the platforms realized that an infinite supply of teenage creators are cheaper to deal with than media companies or groups of media individuals or powerful creators. And I’m curious for your read on the number of YouTubers that you see retiring or taking a step... See more
Nilay Patel • NilayPatel tells Decoder guest host Hank Green why blogs are still great
What’s more, art is no longer semblance. It fuses with reality.
Andy McLaverty-Robinson • Walter Benjamin: Art, Aura and Authenticity | Ceasefire Magazine
The essential truth of every social network is that the product is content moderation, and everyone hates the people who decide how content moderation works. Content moderation is what Twitter makes — it is the thing that defines the user experience. It’s what YouTube makes, it’s what Instagram makes, it’s what TikTok makes. They all try to... See more
theverge.com • Welcome to Hell, Elon - The Verge
The distinction Wark makes of the vectoralist class vs. the capitalist is its power not to actually own anything but to simply extract enormous profit from various flows of value.
Vince Carducci • To the Vector the Spoils: On McKenzie Wark’s ‘Capital Is Dead’, PopMatters
Much of the pleasure of “generating content” — whether through a machine or by some other means, about oneself or about other things or about other things as a way to signify oneself — is in imagining that someone else might also want it. The content is not just for you to consume but to anchor shared experience, or at least allow us to imagine its... See more