Broadway Unlocked Ventures
Ideas that help bridge the traditional Broadway ecosystem and a new digital model that scales theatrical storytelling across multiple platforms — social media, podcasts, streaming services, subscriptions and beyond.
Broadway Unlocked Ventures
This show needed younger members and I don’t believe it fully reached that audience. This is in part because of social media failures. Social media influencers that focus on theater aren’t really selling tickets generally (I’ve done research on this—more on that in a future column) and they aren’t even coming up on the feeds of non-theater fans.... See more
Cara Joy David • HERE LIES LOVE Tries Hard, But Still Fails To Find Its Broadway Audience
It’s not just that creators use the internet
It’s that they were raised by it.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand... See more
The Entire Hollywood System Explained in Tech Terms
It’s not just that creators use the internet
It’s that they were raised by it.
Their feedback loop is instant
They understand internet culture
They publish, adapt, and evolve in real time.
They’re more attuned to thinking like product designers than studio executives
They test ideas, respond to feedback, and ship what connects.
They understand momentum.
They’ve already absorbed the logic of bottom-up SaaS, intuitively.
This is why the next great storytellers won’t come from film school.
They’ll come from YouTube, Discord, & Substack
All thats missing is proper infrastructure.
Overview — Legion M
legionm.com
“House of _____” Producing Cohort
Evan Shapīro on LinkedIn: #sundayfunday | 32 comments
linkedin.com
Gavin puts the current state of FAST in perspective: Crowded. Fragmented. Very good for aggregators. Less good for channel publishers.
Conversations with numerous Broadway producers have revealed consistent complaints: outside a few “mega-producers” with sufficient market power to negotiate independently, the League is functionally dominated by theatre owners.
The math supports this. Examining the League’s Board of Governors reveals multiple executives from Shubert (Chairman/CEO,... See more
The math supports this. Examining the League’s Board of Governors reveals multiple executives from Shubert (Chairman/CEO,... See more
A Landlord and a Tenant Walk Into a Union Hall
"Our goal is to build the best turnkey media operation in venture: a single place where founders acquire the legitimacy, taste, brand-building, expertise, and momentum they need to win the narrative battle online."
The library-building approach—where studios indefinitely own and exploit creative works—belongs to the pre-digital era. It's a business model designed for scarcity, not abundance.
ATG Entertainment, which has a long-term lease on the Lyric, has collected more than $34 million in rent on Broadway from Cursed Child. In the year ending in February 2025, rent consumed nearly 11% of box office sales. To be sure, ATG has its own real estate expenses. In 2013, it paid $64 million for the lease to the Lyric, and later spent millions more on Cursed Child renovations.
Why Kanopy May Be Uniquely Positioned to Survive the Great Streaming Consolidation
Brian Welkindiewire.com
The service is currently available to about 10,000 libraries, or 40 percent of North America’s libraries, as well as about half of high-end colleges in the country. Kanopy houses roughly 35,000 titles with 150 more coming each week. Some standouts on the service include newer films like “Moonlight” and “Lady Bird,” as well as older classics like “Rashomon” and “Chinatown.”