Art
beauty in the mundane
Art
“The False Mirror” (1929) by René Magritte - the eye reflecting the sky captures my essay’s opening paradox: the longing to be seen while fearing what that gaze might reveal. The image of vision turned outward and inward at once, surveillance disguised as intimacy, echoes the question: are we really seen, or merely reflected back through someone else’s sky? (moma.org)
“Not To Be Reproduced” (1937) by René Magritte - this painting of a man whose mirror shows only his back embodies the crisis of recognition at the heart of the performance culture. Like Magritte’s subject, we face rhetorical mirror of the digital self and find only repetition, our own image endlessly optimised yet never truly known. (moma.org)
this is art.