Architecture
Building design, aesthetics, and engineering.
Zachary Roush and
Architecture
What keeps you returning to architecture?
I’ve talked about architecture for a long time. I feel like it emerged out of questions I used to have — or answers I used to find — in the city. I used to want to write about the city all the time and a lot of my books take place in cities. Then I used to talk about the sentence as a city, as a space to... See more
I’ve talked about architecture for a long time. I feel like it emerged out of questions I used to have — or answers I used to find — in the city. I used to want to write about the city all the time and a lot of my books take place in cities. Then I used to talk about the sentence as a city, as a space to... See more
Drew Zeiba • CITY WRITER: Interview with Visual Poet Renee Gladman
Architecture practice in Madrid
I’m not sure how safe Rocinha would have been if I had wandered there on my own. But from the little that I’ve seen, they are rich in culture and hold strong community values.
Living in New York City, the city is also densely packed, yet we exist independently in our own spaces and spend a lifetime not knowing our immediate neighbors. While in... See more
Living in New York City, the city is also densely packed, yet we exist independently in our own spaces and spend a lifetime not knowing our immediate neighbors. While in... See more
Coco Liu • The unique spatial patterns of Rio de Janeiro: on topography, spontaneous architecture, and fashion
A small path leads to the chapel’s entrance, located at the transitional point between woodland and open ground. The architecture is framed as the simplest of gestures. From certain perspectives its mass appears as a pile of logs stacked up to dry; from others the considered placement of the elements on a concrete plinth creates a more formal impression of a piece of sculpture emerging from the forest. The purposefully narrow entry maintains the sense of physical proximity encountered as one moves through the dense trees, adding visceral and visual theatre to the exhilarating experience of passing into an attenuated space over seven metres high and nearly nine metres long.