Chad Aaron Hall
@readordieaslave
Edgewalker
Chad Aaron Hall
readordieaslave.substack.com
To me, the answer seems clear: because corporations have convinced most governments, scientists, journalists, and media outlets that their products are safe.
Tao Lin • The Story of Autism: How We Got Here, How We Heal
Retromania: Pop Culture's Addiction to Its Own Past by Simon Reynolds
app.thestorygraph.com
Take the example of the Swiss watch industry. Handmade Swiss watches like Patek Philippe or Vacheron Constantin command a premium in a world dominated by mass-produced timepieces. The reason is simple: these watches aren't just about telling time. They encapsulate the craft, the time, the personal attention, and the human story that has gone into... See more
Ashwin Sharma • Is human creativity finally dead?
Rip It Up and Start Again: Postpunk 1978-1984 by Simon Reynolds
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On Writing: A Memoir of the Craft by Stephen King
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we’re going to look back at how we designed the world around computers with the same regret that we look at how we’ve designed cities around cars
Maxim Leyzerovichx.comWhen gatekeepers who have the ability to fund, make, and champion comedy projects start to cater to 9-Percenters, we find ourselves in a world where comedy is censored, 9-Percenters are empowered, and the 91 percent of the population that gets the jokes feels reluctant to laugh.
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Gasoline & The Vestal Lady on Brattle by Gregory Corso
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