Saved by Emily Li and
Why I Finally Quit Spotify | the New Yorker
Music has always adapted to the culture enabled by its dominant format . When radio was king, you needed to grab attention in the first 15 seconds or risk getting skipped. But radio DJs were gatekeepers who could champion unique picks to their taste if they believed in them. When Jay-Z and Kanye West 's “Otis” premiered in 2011, Funkmaster Flex... See more