Saved by Lot De Bie
historical narratives haunted by sexuality, violence, and subjugation but made using the genteel 18th-century art of cut-paper silhouettes. Set in the American South before the Civil War, Walker’s compositions play off stereotypes to portray, often grotesquely, life on the plantation, where masters and mistresses and slave men, women, and children... See more
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Kara Walker is among the most complex and prolific American artists of her generation