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Any way that you can think of to touch yourself is good. Touch yourself over your entire body. Notice what you like and what you don’t like. If there is some touch that you don’t like, use a different stroke.

The real drama of the show, though, and the key sites for identification or disidentification by viewers center on the failure of these men to direct their erotic energies toward appropriate object choices (adults) in appropriate contexts (the real, not the virtual, world).

The furniture of the seat should not dig into the underside of your thighs.

The naked, dancing wisdom ḍākinī represents the wisdom and freedom from attachment of one who has given up self-cherishing. Rather than serving as the passive object of cemetery meditations, she is active and dynamic, a teacher in her own right. Rather than arousing only revulsion and disgust in the practitioner, she joins the quality of sensuous,