A research-driven artwork generally progresses in three stages. At the beginning, it’s about having the intention to explore an idea, and then (you guessed it) researching that idea. The middle stage focuses on moving and shaping an idea as you learn and explore. This part of the process is gray, beautiful, and middling—you have to follow where the... See more

Art requires access to the imagination, a notoriously difficult place to visit. The imagination fuels an idea. The artist acts urgently, often impulsively, on that idea but brings conscious rigor to the evaluation of what the imagination has spewed. Ultimately, experience, intellect, insight, and drive enable them to shape the work and then to edit

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I read a David Lynch book about meditation when I was like 16, and I didn’t realize how influential it was until I got older and started to realize that I was doing the technique he talks about automatically. It was called Catching the Big Fish or something, but the idea is, you close your eyes and let all the ideas go through your head. You don’t... See more

Questions like why are the team excited about the idea? How will it work? What will it look/sound/feel like? How reliant is is on technique? What cultural and aesthetic traditions and tropes does it steal from, borrow, or remix? What emergent cultural language does is channel? What are the most important parts? How will it unroll? How will it... See more