
The War of Art

Our job in this lifetime is not to shape ourselves into some ideal we imagine we ought to be, but to find out who we already are and become it.
Steven Pressfield • The War of Art
When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.
Steven Pressfield • The War of Art
Because when we sit down day after day and keep grinding, something mysterious starts to happen. A process is set into motion by which, inevitably and infallibly, heaven comes to our aid. Unseen forces enlist in our cause; serendipity reinforces our purpose.
Steven Pressfield • The War of Art
Because the most important thing about art is to work. Nothing else matters except sitting down every day and trying.
Steven Pressfield • The War of Art
Wake up daily early w an alarm and write DO IT 30 mins
But as Joe Blow, Inc., I can pimp the hell out of myself. I’m not me anymore. I’m Me, Inc.
Steven Pressfield • The War of Art
Do you need thj seprtion in order to sjcceed
As artists we serve the Muse, and the Muse may have more than one job for us over our lifetime.
Steven Pressfield • The War of Art
That is their real evil. Not that we believe them, but that we believe the Resistance in our own minds, for which critics serve as unconscious spokespersons.
Steven Pressfield • The War of Art
The professional blows critics off. He doesn’t even hear them. Critics, he reminds himself, are the unwitting mouthpieces of Resistance and as such can be truly cunning and pernicious. They can articulate in their reviews the same toxic venom that Resistance itself concocts inside our heads.
Steven Pressfield • The War of Art
Ben and tom are the mouth pieces ro my resistance thats it nothing deeper than that
Remember, Resistance wants us to cede sovereignty to others. It wants us to stake our self-worth, our identity, our reason-for-being, on the response of others to our work. Resistance knows we can’t take this. No one can.