The Mountain in the Sea: A Novel

Not only do we not agree on how to measure or recognize consciousness in others, but we are also unable to even “prove” it exists in ourselves. Science often dismisses our individual experiences—what it feels like to smell an orange, or to be in love—as qualia. We are left with theories and metaphors for consciousness: A stream of experience. A sel

And then Ha saw it. Yes. This was why the world would never build another humanoid AI. The smile was perfect. Sincere, unaffected. Fully human. And because of that, the smile was like the shadow of your own death.

We are shaped and limited by our skeletons. Jointed, defined, structured. We create a world of relationships that mirrors that shape: a world of rigid boundaries and binaries. A world of control and response, master and servant. In our world, as in our nervous systems, hierarchy rules. —Dr. Ha Nguyen, How Oceans Think

“The great and terrible thing about humankind is simply this: we will always do what we are capable of.”

We came from the ocean, and we only survive by carrying salt water with us all our lives—in our blood, in our cells. The sea is our true home. This is why we find the shore so calming: we stand where the waves break, like exiles returning home. —Dr. Ha Nguyen, How Oceans Think

At times, when a cephalopod is resting, its skin will flow through color and textural displays that appear unconscious—as if the electrochemical flux of its thoughts were projected onto its surface. In this state it is truly like a mind floating, unsheathed by flesh, in the open ocean. —Dr. Ha Nguyen, How Oceans Think

There is no silence in the living nervous system. An electrical symphony of communication streams through our neurons every moment we exist. We are built for communication. Only death brings silence. —Dr. Ha Nguyen, How Oceans Think

Because he had no terminal, no pen, no paper, he kept this information in the memory palace he had built in his mind. His memory palace was a Japanese inn. Not just any inn: it was the Minaguchi-ya, on the Tokaido Road, between Tokyo and Kyoto.

The plastic siding of the main building was peeled away like scales torn from a dead fish.