
The Limits of Critique

At the very minimum, they are people who are – in Susan Sontag’s definition of a writer – “interested in everything”.
Today’s pop culture offers few examples of such people. What we get instead is a superficial and unsatisfying churn of short-term celebs and trends. The space vacated by challenging novels, experimental cinema, and difficult... See more
Today’s pop culture offers few examples of such people. What we get instead is a superficial and unsatisfying churn of short-term celebs and trends. The space vacated by challenging novels, experimental cinema, and difficult... See more
Matthew M. Long • Becoming Cultured
But a critic, Nguyen implies, is not the man in the Ivory Tower damning or sanctifying specific works of literature based on his own taste: instead, criticism “comes from a deep fascination with the medium (literature, art, fashion, design, architecture, &c) and an overwhelming urge to discuss it, as deeply and as rigorously as possible, in... See more
The Future of Criticism
Sedgwick, whose famous essay “Paranoid Reading and Reparative Reading” proposed that academic critics should soften the defensive urge to pin their objects down in favor of a slower, open-minded willingness to “confer plenitude” on them.