
the globalization aesthetic

Taste has historically been reserved for conversation about things like fashion and art. Now, we look for it in our social media feeds, the technology we use, the company we keep, and the people we hire.
Brie Wolfson • Notes on “Taste”

These are cute designs, of a specific culture and of a specific moment, very contemporary yet of-a-kind. What’s interesting is that they’re popping up in these times, in this cultural economy: this style exists in a post-A24 merch, post-Online Ceramics, post-Graza space, making the more 1970s reference of the aforementioned feel more contemporary a... See more
Kyle Raymond Fitzpatrick • WE'LL NEVER BE ROYALS
The subversion of this ideal is driven by accusations that the standards imposed by the fashion and cosmetics industries are Eurocentric or patriarchal; doing away with those standards is therefore a political act of anti-racism or feminism. In a similar way, goblin mode can be seen as a revolt against the standards of productivity and self-betterm... See more
the critic • The death of Ideals
If anything, mass culture lately appears more aesthetically homogenous than ever.