The First Stories
Paleolithic people had stories to tell. From about 40,000 years ago, and for approximately the next 25,000 years — a period 12 times longer than the Common Era — they conveyed these through images painted on cave walls, carved on ivory tusks, engraved and etched on stones and shells, and did so, as far as we can tell, all over Europe, Asia and Sibe... See more
Sally Mallam • The First Stories
Their insightful solution involved at least two stories: the first would emphasize the importance of the dead — as we know from early burial sites, people were already emotionally attached to those who had died and were concerned about the afterlife. The second would ensure that everyone unequivocally knew that their religious obligation was to par... See more
Sally Mallam • The First Stories
warmer weather meant that food supplies increased and populations grew, such that some form of hierarchy was perhaps inevitable. Shamans remained the key storytellers, though a shaman’s position altered from that of a specialist facilitator who was part of an egalitarian group, to a more prestigious priestlike role, with control over the group’s ex... See more
Sally Mallam • The First Stories
Behind all their effort were stories that propelled, motivated, and inspired this amazing period. We know this because these early farmers left a trail of monolithic structures in their wake, from the 11,000-year-old “first” temple, Göbekli Tepe, in southeastern Turkey, to Stonehenge in Britain, which was finally completed about 4,500 years ago. St... See more
Sally Mallam • The First Stories
The great advantage of all this symbolic reference through physical artefacts was that, unlike speech, dance or ritual enactment, which is transient, the physical symbolism with which they surrounded themselves was always there, always reminding them, teaching their children.
Sally Mallam • The First Stories
shamanic vision journeys tell of entering an underworld or experiencing supernatural flight to a spirit world above. The Tungus shamans of Central Asia descend to the underworld through a narrow hole to cross three streams, where they encounter the spirits. The South American Tapirap shamans change into birds and fly through the cosmos; the North A... See more
Sally Mallam • The First Stories
the 14,000-year-old image of “The Sorcerer” at Les Trois Frères, was deliberately created, “four meters above the floor in an apparently inaccessible position only to be reached by a secret corridor climbing upwards in a spiral,” and consider the impact and the story behind this enigmatic figure suspended above those who entered the space below.
Sally Mallam • The First Stories
“its inner truth was realized when the participant was transported into the realm of the sacred and eternal.” For the ancients, this transcendent capacity was perhaps more evident, since there was no division between the supernatural and natural – the supernatural was natural.
Sally Mallam • The First Stories
“The world we experience as ‘out there’ is actually a reconstruction of reality that is built inside our heads. It’s an act of creation by the storytelling brain.”
― Will Storr, The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better
― Will Storr, The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better