Saved by sari
The Economics of Creativity: Who Gets Paid and Why
Behind these conversations is a fundamental change of the digital age that applies to essentially every creative field: in the past, consumers bought and collected physical editions of creative work, creating a direct value exchange between fans, artists, and producers. Today almost all creative work is digitized and essentially rented — lowering
... See moreYancey Strickler • The old shit doesn't work anymore
Timour Kosters added
Today almost all creative work is digitized and essentially rented — lowering payouts, devaluing work, and redirecting the lion’s share of rewards to the platforms hosting the work rather than the creators themselves.
Yancey Strickler • The old shit doesn't work anymore
Seth Werkheiser added
One of the major reasons the NFT trend is so spectacular is because it transforms the value proposition for creators. Instead of enlisting a publisher, gallery, or record label to monetize creative works, artists can carve out a larger slice of the total pie. This paradigm shift also breaks down the traditional stratification between consumers and ... See more
Houman Asefi • NFT as a Service (NFTaaS); NFT Will Dominate the World
Tekelala added
This is reflective of a broader trend—artists want direct ownership over the relationship with their fans, and to be compensated based on how these fans interact with their music. Case in point: SoundCloud’s recent foray into ‘fan-centric’ payouts, Deezer’s continued experimentation with user-centric payout models, and the ongoing parliamentary inq... See more
Yash Bagal • A New Funnel for Music
sari added
But it doesn’t feel too early to ask what might happen in a world where artists keep more or even most of the value that they create. This is personally relevant to me, of course, as a creative type who also stepped away from a “major” — a staff job at a big publication — in favor of selling my work directly to readers. But the larger cultural cons... See more
Casey Newton • Is the music industry's future on the blockchain?
sari added
This decision-making around how to price digitally scarce music and art illuminated to me that in a commodified streaming economy, most musicians don’t have the ability to set the price of their own creative output in the first place, and may be leaving money on the table in the process.
Cherie Hu • Digital music’s new drop culture
sari added
When people typically talk about the attention economy, they’re referring to creators amassing the attention of an audience, and then, after they have the attention, they’re able to monetize that attention in all sorts of different ways...I think what’s really interesting about NFTs and some of the new creator economy products that are coming into ... See more
NFX • Li Jin on The Passion Economy & Its Hidden Currency
Sixian and added
sari added