We’re mistakenly still using dusty indicators of success in a contemporary media environment.

Where are the awards celebrating the small and mighty? Who are the megaphones to draw more attention and financing toward marginalized creators? Where is the campaign reminding us that creativity dies in the shadows of reboots, and that merely making somet... See more

We must reevaluate reach, views and ad-revenue as our go-to metrics of success, and instead aim towards the worth of depth. Call it the invaluable intensity of love. After all, we only care about what we can measure. And passion is a murky metric.

As Mastroianni writes,

“Movies, TV, music, books, and video games should expand our consciousness, jumpstart our imaginations, and introduce us to new worlds and stories and feelings [...] Learning to like unfamiliar things is one of the noblest human pursuits; it builds our empathy for unfamiliar people.”

If we stop watering “the new,” the new will ... See more

In a culture where creating can be more satisfying than consumption, we’re left with a glut of both unwanted content, and new content that’s actually just about existing content.

“For You” is not about pushing the limits of our artistic palates, as much a device to serve us what the platform projects — and wants us to be satisfied with, herding us into more predictable siloes that can then be targeted with more “precise” recommendations. Anything other than this is a liability to the business model.

Ted Gioia also comments o... See more

Chris Dancy, an author and speaker on living with technology, remarks,

“Technology has moved from Big Brother to Big Mother... Our quest to create the most frictionless experience is leaving people devoid of autonomy and longing for the feeling of 1st person living.”

Presented with an avalanche of opportunity, especially with entertainment — something meant to bring joy — we stick to what we know. After all, what we know feels good .

In Derek Thompson’s book, Hit Makers , he explains this tendency,

“Most consumers are simultaneously neophilic — curious to discover new things — and deeply neophobic — afraid of any

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Much of today’s mass-produced work aims to satisfy the average. As a result, we’re left with

average

. The middle is saltine-cinema: the largest financial opportunity.

Take or leave Martin Scorsese’s critique of Marvel, his take on the state of film — this “consolidation” — shouldn’t be controversial:

“The art of cinema is being systematically deval

... See more

In the absence of infinite time but facing infinite content, we actually need some gatekeepers. Further, we need financing for those who aren’t... trash.